Suizidalität bei Kindern und Jugendlichen (German Edition)

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Their remarks reflected existing hierarchies within art discourse or engaged with these. Historical painting ranked as superior to landscape or seascape, genre or still life. Venetian, Bolognese, and French schools stood in that order of esteem. Generally these connoisseurs followed their own dictates and looked or overlooked as they chose.

If that meant more Venetians and almost no Dutch, well and good. The dialogue and the poems he had written, the descriptions of paintings were by the said lady.

Klinik und Poliklinik für Kinder- und Jugendpsychiatrie, Psychosomatik und Psychotherapie

One can draw inferences from the respective contributions of the three interlocutors in the conversation: Louise, generally accepted as being Caroline herself, Waller, who is August Wilhelm, and Reinhold, a kind of collective figure for the remaining friends. Waller summed up the general consensus—quoting Herder or Hemsterhuis in all but name—that statuary was not a mere question of shape or contour or mass or repose.

The whole conversation was, however, called The Paintings , and so the visitors walked on towards the painting galleries, their real goal. These were in reality scattered, but the essay conveniently assembled them, one Italian Salvator Rosa , one French Claude , one Dutch Ruysdael. Total coverage was not their aim. They were content to dispraise a Claudesque painting by Hackert as being essentially lifeless if it suited them. Instead they attempted a close, sometimes quite technical, analysis of the three paintings.

This could be seen increasingly in the accounts of Correggio, who was beginning here his advance in Romantic esteem to become the equal of Raphael. There were outright condemnations, too, that amounted to blanket rejections of schools or centuries: Louise confessed to tears. Was she in danger of becoming Catholic? But art never lost its autonomy. It was not so suffused with feeling as to become something vague and indefinable. It did not inhibit further analysis of the supporting figures , but it raised two important issues.

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The first was the close relationship of the fine arts to poetry. August Wilhelm saw the matter less extravagantly. This was also the uncle of Auguste von Buttlar speaking, displeased at her embrace of Rome. There was his Flaxman essay as well. The engravings, first produced by Tommaso Piroli in Rome in , were expensive and copies were initially hard to come by. It was not long in coming: Gone were the reservations that he had expressed but a few years ago. In those sections where Dante went beyond the powers of human expression, Flaxman used geometrical figures circle, triangle , themselves mystical symbols of the godhead, and passed beyond mere representation.

In that sense, this Athenaeum essay was entering regions where Goethe already had reservations and later was to see merely superstition. Their effect was of necessity limited, for students did not flock to Schlegel as they did to Schelling and as they had done to Fichte, and it is only through the initiatives of two promising and intelligent young men, Ast and Savigny, that we have any record at all. Even then they have only handed down to us those lectures now called Philosophische Kunstlehre [Philosophical Art Theory].

These contain sections dealing with German literature, but they are presumably different from the lectures on the history of German poetry now lost that he also announced. In keeping with other German universities, Jena had been offering lectures on aesthetics not necessarily under this exact title for decades. Schlegel could therefore be seen as a versatile and reliable colleague in both classical and modern literatures and was also the man best suited to inject the central tenets of transcendental idealism into the academic teaching of aesthetics. Aesthetics, as the philosophical study of human awareness of art and beauty, dealt with such absolutes, themselves the absolute aims of humanity.

As man becomes aware of his ultimate purpose, so he grows in his awareness of art and beauty. Art is by this definition no mere accessory, has no ancillary function, is no frill or furbelow. These are ideas firmly rooted in Schiller or Fichte. On one level, this meant setting out the history of aesthetics from Plato and Aristotle to Baumgarten, Winckelmann and Kant. We study Homer, he said, because he was closest to this primeval poetry before it became the preserve of a chosen few and was changed into art. Although climate and physical or phonetic differences lead to disparity, all language is by nature rhythmical, musical or image-laden.

Image is the essential of myth, and myth is the product of the powers of human expression. Here Schlegel first developed the basically anthropological ideas human figure, oracle, fate, belief in life after death, the golden age that were to form part of his Romantic mythology but also informed his later Bonn lectures on ancient history. Again, there were many prefigurations here of his later Berlin and Vienna lectures. It was to be followed by another gap in the Romantic ranks when early in Novalis succumbed to the tuberculosis that had been undermining his frail constitution.

Auguste dosed with opium against the diarrhoea that was killing her her mother was to die in identical circumstances nine years later ; Novalis, a Keatsian phthisic, not in Rome but in wintry Weissenfels.

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Significantly, they did not include his radical Die Christenheit oder Europa [Christendom or Europe], a vision of history too controversial for readers in the new nineteenth century. Despite differences, personal between Caroline and Dorothea, ideological between Friedrich Schlegel and Schelling, the former Romantic circle was nevertheless able to show a united front when it suited, as in the two volumes called Charakteristiken und Kritiken in During the Athenaeum years one would hardly have known that the map of Europe was being redrawn or that tumultuous events were happening, in the far-off Mediterranean or Egypt, so absorbed had these men and women of letters been with matters of the mind or wars with literary rivals.

We hear much more now of the threats, real or imagined, of armies on the move, of real captures and quarterings imposed on the civil population. In , Caroline experienced the political repercussions of the times at first hand in Harburg, with the cession of the Hanoverian lands to Prussia.

Prisoner-on-prisoner violence: Victimization of young offenders in prison. Some German findings

Yet the postal service still functioned. During the peace interludes Friedrich and Dorothea travelled unhindered to Paris and set themselves up there, relying on the diligence to get letters, proofs and packets of books from one land to another. It was in more ways than one a repetition of the journey in the same direction she had once made from Mainz.

She was, as then, accompanied by August Wilhelm, now as ever linked by bonds of friendship and respect, devotion even. Their marriage was over. There remained still a strong residue of the affection, solicitude and camaraderie that had once been the mainstay of their relationship. He was still helping her financially.

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She, as before, could still be relied upon to pass on her critical and practical insights and her encouragement, as Schlegel sought to forge for himself a career as a dramatist and as a public lecturer in Berlin. It was she who advised him not to break with his publisher Unger over a breach of contract with the Shakespeare edition, shrewdly noting that no-one else would take on this enterprise with a litigious translator. It also represented a leave-taking from Jena and its associations.

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The Schlegel brothers wrote no novellas, but they knew that Goethe had consciously revived this Renaissance narrative form in , and they were to see its explosive expansion during their own lifetime. The essay is part of the Romantic discovery and rehabilitation of Italian and Spanish literature as sources of original, vital poetry, that saw Cervantes placed on the same scale of esteem as Dante and Shakespeare. While going through the requisite rites of mourning he emancipated himself once and for all from mentoring and tutoring.

This Johnson did with some nobility.

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In a second step, these resilience profiles might be transferred to the prison environment, resulting in different SR between inmates with German and foreign citizenship. From a European perspective, there is no generalizable risk pattern of suicide in European immigrants [ 22 ]. Suicide risk in immigrants depends to a considerable degree on regional cultural factors, and on the risk profile in the countries of origin. As a trend, suicide risk is higher in immigrants from Northern and Eastern Europe compared to the host population and lower in immigrants from Southern Europe [ 22 ].

Still, definitions of immigrant populations vary between studies, making it difficult to compare results.

The age distribution of populations with foreign citizenship differs extensively from the German population and SRs are associated with rising age. Hence, imprisonment has a strong impact on suicide risk in both populations. To our knowledge, this is the only study comparing natives and immigrants in prison populations with respect to the age distribution of these populations.

Scientific findings gained from adult prisons cannot be transferred directly to juvenile detention facilities since there are significant differences between the underlying criminal codes as well as between inmate composition and the types of criminal offences committed [ 36 , 19 ]. In contrast, studies focussing on age-dependent risk factors for prison suicide are scarce [ 33 ], leading to a limited evidence basis of risk profiles in adolescent prisoners [ 4 ].

In this study, the association between prison suicide and citizenship was not significantly different between adolescent and adult prisoners, indicating its relevance in both juvenile and adult detention. Reasons for the differing suicide risks between German and non-German prisoners found in this study remain speculative, due to the lack of data regarding protective and risk factors.

Aiming to understand the complex causality that leads to differing suicide risks between subpopulations in custody, we suggest prospective approaches with large sample sizes. Risk profiles should include the most prominent risk and protective factors including criminological, medical, socioeconomic and environmental information at intake, during their sentence, and after release.

Suizidalität bei Kindern und Jugendlichen (German Edition) Suizidalität bei Kindern und Jugendlichen (German Edition)
Suizidalität bei Kindern und Jugendlichen (German Edition) Suizidalität bei Kindern und Jugendlichen (German Edition)
Suizidalität bei Kindern und Jugendlichen (German Edition) Suizidalität bei Kindern und Jugendlichen (German Edition)
Suizidalität bei Kindern und Jugendlichen (German Edition) Suizidalität bei Kindern und Jugendlichen (German Edition)
Suizidalität bei Kindern und Jugendlichen (German Edition) Suizidalität bei Kindern und Jugendlichen (German Edition)
Suizidalität bei Kindern und Jugendlichen (German Edition) Suizidalität bei Kindern und Jugendlichen (German Edition)
Suizidalität bei Kindern und Jugendlichen (German Edition) Suizidalität bei Kindern und Jugendlichen (German Edition)
Suizidalität bei Kindern und Jugendlichen (German Edition) Suizidalität bei Kindern und Jugendlichen (German Edition)
Suizidalität bei Kindern und Jugendlichen (German Edition)

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